When I was studying photography one of the greatest places for learning was the college library. You can learn all the technical stuff in the studios that’s fine but to really understand the art of creating images you can’t beat looking through other photographers work. I took this image in 1990, it’s inspired by the photographer Irving Penn who did a project called ‘small trades’ in the 50’s. I think he himself was influenced by August Sander, the German photographer, who documented the German folk of the early 20th century. #scottishphotographer #scottishphotography #edinburghphotographer #edinburghphotography #portrait #portraitphotography #portraitphotographer

A new personal project

Because I worked Saturday photographing the football for the newspapers I was given Tuesday off in lieu. in 1993 a miners co-operative got together decided to reopen Monktonhall colliery  just outside Edinburgh. This seemed like a good second project to follow on from my ‘Life on the Tyne’ work so I approached them for permission to document their venture. They were very happy to let me take photographs and allowed me total excess to everywhere in the colliery including 3000 feet down onto the coal face.

Waiting for the shift to start

End of a shift

By the time I took this shot the miners had total trust in me and I became part of the background which allowed me to hang about for quite a while as these two guys chatted. This moment happened in the blink of an eye but I was ready for it and got the shot, just as well, it was the last frame on the roll of film!

Moving away


After college I managed to get a job working for the MoD at 8 Signal Regiment in Catterick North Yorkshire as a civilian photographer/video operator. I had a good friend at college from Edinburgh who I had visited just before I moved to Yorkshire so even as I started off on this new job I’d already made my mind to move to Edinburgh, it was a city I had instantly fell in love with.

Two years later in Autumn 1990 I handed in my notice and armed with a couple of cameras, lenses and a flashgun moved to Edinburgh. I managed to get a part time job working in the local newspaper’s darkroom while doing some photo assignments here and there. My first front page cover was when I covered the Edinburgh Beltane festival which was held at Carlton Hill and ended up at sunrise on top of Arthurs seat.

I eventually got a job as a full time photographer which I did for 3 years before I decided to go freelance. I really enjoyed some aspects of being a press photographer especially the sport but there were other sides to the business which I felt uncomfortable with, being freelance allowed me to be a bit more choosy over what I did and I was also able to pursue more commercial clients.

Football is the main sport that’s covered by the newspapers, followed by rugby

both of which were good to photograph but it was always nice to get something a bit different like speedway

or Ice hockey

Working for newspapers was a steep learning curve and it taught me a great deal, even if there were some aspects of it which I personally didn’t agree with.

My first documentary photograph

I worked in Darkrooms for the next nine years, the idea of becoming a photographer disappeared when I got my first motorcycle in 1978 then after that all my time seemed to be dedicated to supporting this ‘two wheeled’ addiction and having fun.

In 1985 I started to realise I needed to get myself sorted out and focus back on my photography. I used to go down the Newcastle quayside where there was, and still is, a great place called the Side Gallery They are well known for their promotion of documentary photography exhibition. I first saw the work of Finnish Photographer Sirkka-Liisa Konttinen documenting the Byker before it all got swept away. I also remember seeing the powerful works of Don McCullin, the stark Black and White images once seen never forgotten.

In 1986 I decided to give up my job in the darkroom and to take a two year photography course at Newcastle College of Arts and Design. This photograph was taken at my local corner shop in Gateshead and is still a favourite of mine. We were in the store room chatting and the owner raised her arm to point something out, I clicked and got the shot. You can see the ‘McCullin’ influence with the way I printed it. Ilford graded paper went from OO (soft) to 5 (hard) contrast, I was always bouncing about 4-5.

Starting off in photography


I started working as a darkroom assistant in 1977 just after my sixteenth birthday. I started working at Turners Photography in Pink Lane, Newcastle upon Tyne which was one of the largest Photography Companies in the North East. The building housed the retail side on the ground floor, with the floors above containing the film department, Administration, picture mounting and art department, photographers studio and right at the top the processing labs.

We had B&W developing tanks for 35mm, 120 and 5×4 sheet film, the same for C41 colour process and also E6. There was also the B&W and colour printing labs and an area for copying graphics. All very daunting for someone straight out of school, I spent the first few months just washing, drying and trimming the borders of prints, oh and being the general dogsbody, popping down the the local Greggs for various pies, pastries etc. Starting at the bottom there was only one way to go, but it took me quite a while.